MIXED MEDIA : A VIDEO SPECIAL : <i> Rated on a scale of one star (poor) to five (a classic).</i> : JANET JACKSON : “The Rhythm Nation Compilation” <i> A&M; Video ($19.95)</i> ****
- Share via
Containing more than twice the number of videos as last year’s “Rhythm Nation 1814,” this collection is most noteworthy for its inclusion of photographer-turned-video-director Herb Ritts’ handling of “Love Will Never Do.” On it, Jackson doesn’t exhibit any little-girl tentativeness. Instead, she brazenly frolics on the desert with two muscle-bound hunks who barely wear their unmentionables, sporting a bustier, skin-tight jeans and a blonde, upswept hairdo with more panache than Ivana Trump. Forget the little-sister-of-Michael-Jackson hype. Jackson is all woman here.
Most of these elaborately staged, meticulously detailed videos--particularly Julien Temple’s “Alright”--are great showcases for Jackson’s willingness to stretch beyond her public’s conceptions of her. Whether it’s on the ethereal, soft-focus romanticism of “Come Back to Me” or the headbangin’ bravado of “Black Cat,” Jackson is too cagey to be pigeonholed. On a brief, transitional slice of footage between “Miss You Much” and “Rhythm Nation,” there’s even the sampled voice of Malcolm X intoning: “Too strong . . . . “
While still not as daring or cutting-edge as a Prince or Madonna, Jackson is a cut above your average, paint-by-numbers pop star. With Jackson, you never know what you’ll get, but the odds are pretty high that it will be exceptional.
More to Read
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.