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* Dixie Chicks, “Home,” Open Wide/Monument. The Chicks aim for music that offers a message as well as entertains, and the female country trio blends those objectives engagingly. There is a modern sensibility that runs through the album, chiefly in the way various songs (a third of them written by the trio) reflect on the complexity of relationships. The range is a little too scattered for the album to have the searing impact of Willie Nelson’s “Phases and Stages” or Vince Gill’s “The Key,” two of country’s best looks at romance. But the song “Long Time Gone” confirms the Chicks’ place in the Haggard, Cash and Williams tradition.
Also:
Bastard Sons of Johnny Cash, “Distance Between,” Ultimatum
BBMak, “Into Your Head,” Hollywood
Blind Boys of Alabama, “Higher Ground,” Real World
Coldplay, “A Rush of Blood to the Head,” Capitol
Division of Laura Lee, “Black City,” Burning Heart
Eve, “Eve-Olution,” Interscope
Gordon Gano, “Hitting the Ground,” Instinct
Bob Geldof, “Sex, Age & Death,” Koch Progressive
Gusgus, “Attention,” Moonshine
Aimee Mann, “Lost in Space,” SuperEgo Records
Carla Olson, “Ring of Truth,” Smile Records
Queens of the Stone Age, “Songs for the Deaf,” Interscope
Duncan Sheik, “Daylight,” Atlantic
Seconds to Mars, “Seconds to Mars,” Immortal/Virgin
Silverchair, “Diorama,” Atlantic
Uncle Kracker, “No Stranger to Shame,” Lava/Atlantic
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